齐小 刚. 老子“无为而无不为”思想与审美精神[J]. 内江师范学院学报, 2014, (7): 33-36. DOI:10.13603/j.cnki.51-1621/z.2014.07.007
引用本文: 齐小 刚. 老子“无为而无不为”思想与审美精神[J]. 内江师范学院学报, 2014, (7): 33-36.DOI:10.13603/j.cnki.51-1621/z.2014.07.007
QI Xiao-gang. On LAO Zi's Let-it-be and Do-it-all Thought and His Aesthetic Spirit[J]. Journal of Neijiang Normal University, 2014, (7): 33-36. DOI:10.13603/j.cnki.51-1621/z.2014.07.007
Citation: QI Xiao-gang. On LAO Zi's Let-it-be and Do-it-all Thought and His Aesthetic Spirit[J].Journal of Neijiang Normal University, 2014, (7): 33-36.DOI:10.13603/j.cnki.51-1621/z.2014.07.007

老子“无为而无不为”思想与审美精神

On LAO Zi's Let-it-be and Do-it-all Thought and His Aesthetic Spirit

  • 摘要:老子建立的以“道”为本位的学说,强调“自然无为”,然其旨归在于通达“无不为”之境界。老子这一思想在不自觉中暗合了审美的内在规律和精神品质。老子提倡之“无为”精神符合审美心胸的特点,而其终极目标“无不为”之境界则又暗合于审美体验的最高理想。因此从美学角度讲,老子“无为而无不为”思想是与审美精神高度一致的。

    Abstract:LAO Zi's doctrine with Tao as orientation emphasizes the natural let-it-be thought. However, it is aimed at the do-it-all realm. Such thought unconsciously implies the internal rules of aesthetics and the spirit. The let-it-be spirit is in line with the aesthetic features. And its final aim is in accordance to the highest ideal of aesthetic experience. Therefore, from the perspective, such thought is highly overlapped with the aesthetic spirit.

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