李 杰 俊. 论新时期以来的浩然小说创作[J]. 内江师范学院学报, 2014, (7): 46-51. DOI:10.13603/j.cnki.51-1621/z.2014.07.010
引用本文: 李 杰 俊. 论新时期以来的浩然小说创作[J]. 内江师范学院学报, 2014, (7): 46-51.DOI:10.13603/j.cnki.51-1621/z.2014.07.010
LI Jie-jun. On HAO Ran's Novel Creation since the New Period[J]. Journal of Neijiang Normal University, 2014, (7): 46-51. DOI:10.13603/j.cnki.51-1621/z.2014.07.010
Citation: LI Jie-jun. On HAO Ran's Novel Creation since the New Period[J].Journal of Neijiang Normal University, 2014, (7): 46-51.DOI:10.13603/j.cnki.51-1621/z.2014.07.010

论新时期以来的浩然小说创作

On HAO Ran's Novel Creation since the New Period

  • 摘要:新时期以来,浩然可谓“两条腿走路”,一是用新作品显示“真实品德和新生”,从《山水情》到《苍生》奋起直追,创作了一系列中长篇小说。这些小说,做了有保留的反思,在其50-70年代小说创作的“常”与“变”中徘徊着前进,也不乏小说式精神自传色彩。一是创作自传体小说,“把自己说清楚”。这些小说具有很高的社会史料价值和文学审美价值。新时期以来的浩然小说创作,可谓为霞尚满天,应引起我们重视。

    Abstract:Since the new period, HAO Ran can be said to walk in two directions. One is that he revealed the true morality and rebirth which are shown in his new works. From Love betweenMan and Woman and People, he had spared no efforts to catch up with the perfect and had created a series of novels in which he had made some reserved reflections. The author lingered and advanced in stability and change in his creatin from 1950s to 1970s, and his works in this period did not lack the features of spiritual autobiography. The other is that he created autobiographic novels which intend to talk about the author clearly. These novels are of high value of either social historical materials or literary aesthetics. His novel creation in new period is shining like sunlight in the sky, which is worthy of our attention.

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