彭 永 馨. 重彩画语言表达的创新价值[J]. 内江师范学院学报, 2014, (11): 47-49. DOI:10.13603/j.cnki.51-1621/z.2014.11.008
引用本文: 彭 永 馨. 重彩画语言表达的创新价值[J]. 内江师范学院学报, 2014, (11): 47-49.DOI:10.13603/j.cnki.51-1621/z.2014.11.008
PENG Yong-xin. On the Innovative Value of Language Expression in Colored Drawing[J]. Journal of Neijiang Normal University, 2014, (11): 47-49. DOI:10.13603/j.cnki.51-1621/z.2014.11.008
Citation: PENG Yong-xin. On the Innovative Value of Language Expression in Colored Drawing[J].Journal of Neijiang Normal University, 2014, (11): 47-49.DOI:10.13603/j.cnki.51-1621/z.2014.11.008

重彩画语言表达的创新价值

On the Innovative Value of Language Expression in Colored Drawing

  • 摘要:绘画语言是美术作品的构成要素。传统重彩画在语言表达上有程式化的特点,因而制作过程比较容易把握。随着时代的变迁,新观念、新材料、新技法的出现,使现代重彩画少了程式化成分,而更多地关注制作和材料。现代重彩画在继承民族传统,融入外来形式因素的同时,从形式语言到艺术观念的探索应始终立足于当代审美文化,展现当代意义,才能最终显示其无限的生命力。

    Abstract:The painting language is the element of constituting a painting work. The traditional colored drawing has some formulaic features, which leads to the relatively easy production. With the time going on, the new conception, materials and techniques have appeared one after another. This results in the reduction of some formulaic elements and more attention to materials and production. The modern colored drawing should be based on the modern aesthetic culture either from the formal language or from the artistic conception and express the modern life when it inherits the national tradition and absorbs the foreign elements. Only in this way can it get its endless vitality.

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