张用生, 李 刚. 论音乐传播的三元性[J]. 内江师范学院学报, 2015, (11): 135-140. DOI:10.13603/j.cnki.51-1621/z.2015.11.028
引用本文: 张用生, 李 刚. 论音乐传播的三元性[J]. 内江师范学院学报, 2015, (11): 135-140.DOI:10.13603/j.cnki.51-1621/z.2015.11.028
ZHANG Yong-sheng, LI Gang. On Ternary Nature of Music Communication[J]. Journal of Neijiang Normal University, 2015, (11): 135-140. DOI:10.13603/j.cnki.51-1621/z.2015.11.028
Citation: ZHANG Yong-sheng, LI Gang. On Ternary Nature of Music Communication[J].Journal of Neijiang Normal University, 2015, (11): 135-140.DOI:10.13603/j.cnki.51-1621/z.2015.11.028

论音乐传播的三元性

On Ternary Nature of Music Communication

  • 摘要:音乐传播古已有之。从“三星堆文化”、“河姆渡文化”考古发现,与音乐相关的论述可追溯近万年的历史。本文旨在从哲学理论上探研音乐传播的作用,也是音乐传播起源、发展、创新、文明的动力。归纳为音乐传播的自然崇尚性; 音乐传播的人文关怀性; 音乐传播的时代精神性等三元性结构。而音乐的起源与音乐传播的自然崇尚性(包括自然的人文崇尚)十分关联; 音乐传播的人文关怀性与音乐的发展及属性十分关联; 音乐传播的时代精神性与音乐形象的典型性十分相关。本文将以翔实的音乐史料、生动的音乐故事、典型的音乐作品及音乐语言阐述音乐传播的

    Abstract:Music communication can be dated to ancient times. The archaeological discoveries in “Sanxingdui Culture” and “Hemudu Culture” show that there were music-relevant statements 10, 000 years ago. This paper aims to probe into the roles of music communication which serve as the motivation for its beginning, development, innovation and civilization. These can be generalized into a ternary structure of music communication: nature worship, humanistic care and time spirit. And the music origin is closely related to its nature worship(including natural humanistic worship). The music humanistic care is connected with its development and nature. And the music time spirit is linked tightly with the typicality of musical image. This paper has made a study of the ternary nature of music communication with detailed and accurate historical materials of music, vivid music stories, typical music works and music language.

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