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    彭永馨. 传统的流变与重构:张大千晚年山水变法考略[J]. 内江师范学院学报, 2017, (1): 19-22. DOI:10.13603/j.cnki.51-1621/z.2017.01.004
    引用本文: 彭永馨. 传统的流变与重构:张大千晚年山水变法考略[J]. 内江师范学院学报, 2017, (1): 19-22.DOI:10.13603/j.cnki.51-1621/z.2017.01.004
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    PENG Yongxin. Evolvement and Reconstruction of Tradition: A Textual Research of ZHANG Da-qian’s Change in Landscape Painting in His Late Years[J]. Journal of Neijiang Normal University, 2017, (1): 19-22. DOI:10.13603/j.cnki.51-1621/z.2017.01.004
    Citation: PENG Yongxin. Evolvement and Reconstruction of Tradition: A Textual Research of ZHANG Da-qian’s Change in Landscape Painting in His Late Years[J].Journal of Neijiang Normal University, 2017, (1): 19-22.DOI:10.13603/j.cnki.51-1621/z.2017.01.004
    shu

    传统的流变与重构:张大千晚年山水变法考略

    Evolvement and Reconstruction of Tradition: A Textual Research of ZHANG Da-qian’s Change in Landscape Painting in His Late Years

      摘要
    • 摘要:张大千是20世纪中国画坛的杰出人物,其以深厚的传统功底与全面的艺术修养而著称。 但从其创造性以及对中国画发展所做的贡献来讲,是以晚年的泼墨与泼彩相结合的艺术创作为标志。

      Abstract:ZHANG Da-qian was a prominent painter in the Chinese painting circle in the20th century. He was known for his solid foundation of traditional Chinese painting and his personal artistic attainment. His creativity and contribution to the development of the Chinese painting were marked by his artistic creation with combination between ink-splash and color-splash painting.

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