张大千绘画中的“自我复制”特征研究
A Study of Features of“Self-replication” in ZHANG Daqian’s Painting
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摘要:在张大千一生超过三万幅作品中,绝大多数作品带有应酬性质。 来自艺术市场的巨大的需求,使他不得不“自我复制”大量程式化的作品。 张大千曾提出“职业画家”的概念,希望通过文人修养与职业画家技巧的整合来纠正画坛中画匠汲汲于市场需求和文人画过于简率的风格,而张大千“自我复制”的作品从一个侧面反映了他整合二者的努力所面对的一个现实:艺术市场的商业化既是张大千得以依仗并取得巨大成功的关键之一,又是对其绘画内在文化价值进行消解的主要力量。Abstract:Most of ZHANG Daqian’s over30 thousand paintings are characterized by social engagement. The gigantic demand from the artistic market made him to replicate a great number of formulaic works. He once put forward the concept of professional painters, hoping to correct the painters’ satisfaction of the market and simple and rough painting style through the integration between literati’s cultivation and professional painters’ techniques. And his self-replicated works have reflected the reality his integration had to face: the commercialization of artistic market was the key factor on which ZHANG Daqian had to depend and for which he made his success as well as the main force to internalize his painting’s cultural value.