张雪梅, 姜雪丽, 杨晖. 我们诞生在中国》的拟人化呈现与轮回主题的表达[J]. 内江师范学院学报, 2017, (5): 138-141. DOI:10.13603/j.cnki.51-1621/z.2017.05.026
引用本文: 张雪梅, 姜雪丽, 杨晖. 我们诞生在中国》的拟人化呈现与轮回主题的表达[J]. 内江师范学院学报, 2017, (5): 138-141.DOI:10.13603/j.cnki.51-1621/z.2017.05.026
ZHANG Xuemei, JIANG Xueli, YANG Hui. Personification and the Theme Expressionof Life Transmigration Subject ofWe were Born in China[J]. Journal of Neijiang Normal University, 2017, (5): 138-141. DOI:10.13603/j.cnki.51-1621/z.2017.05.026
Citation: ZHANG Xuemei, JIANG Xueli, YANG Hui. Personification and the Theme Expressionof Life Transmigration Subject ofWe were Born in China[J].Journal of Neijiang Normal University, 2017, (5): 138-141.DOI:10.13603/j.cnki.51-1621/z.2017.05.026

我们诞生在中国》的拟人化呈现与轮回主题的表达

Personification and the Theme Expressionof Life Transmigration Subject ofWe were Born in China

  • 摘要:《我们诞生在中国》通过拟人化手法,围绕爱、生命、生死等展开叙事,塑造了三个中国式的动物家庭,并以独特的艺术形式表达了生命轮回的主题,使得动物题材与人类情感深度融合,在满足了市场与受众要求的同时,作出了形而上层面的哲理思考。

    Abstract:Through personification, the documentary We were Born in China has developed its narration around love, life, birth and death. It has molded three animal families of Chinese pattern and expressed the life transmigration subject with the unique artistic form. This has achieved the deep integration between animal themes and human feeling. Further, while meeting the demand of the market and audience, it has made philosophical thinking at a metaphysical level.

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