王守亮. 谶纬文化与《三国演义》人物三题[J]. 内江师范学院学报, 2018, (3): 5-8. DOI:10.13603/j.cnki.51-1621/z.2018.03.002
引用本文: 王守亮. 谶纬文化与《三国演义》人物三题[J]. 内江师范学院学报, 2018, (3): 5-8.DOI:10.13603/j.cnki.51-1621/z.2018.03.002
WANG Shouliang. Prophetic Culture and Images in Romance of the Three Kingdoms[J]. Journal of Neijiang Normal University, 2018, (3): 5-8. DOI:10.13603/j.cnki.51-1621/z.2018.03.002
Citation: WANG Shouliang. Prophetic Culture and Images in Romance of the Three Kingdoms[J].Journal of Neijiang Normal University, 2018, (3): 5-8.DOI:10.13603/j.cnki.51-1621/z.2018.03.002

谶纬文化与《三国演义》人物三题

Prophetic Culture and Images in Romance of the Three Kingdoms

  • 摘要:《三国演义》在人物形象塑造中对谶纬文化多有涉及。 通过有关谶纬内容的情节,小说对三国帝王予以了不同程度的神化描写,刘备成为被谶纬神化最突出的三国帝王形象。 诸葛亮作为小说中最富神秘性的人物,其形象中融入了较多谶纬文化因素,主要表现在他善观天象,参透天人之际,预知人事休咎,留谶遗计。 言必称谶纬,议事论政一决于谶纬,主张顺天而行,是谯周这一人物形象的突出特征。

    Abstract:The novel Romance of the Three Kingdoms has much description of prophetic culture in shaping its images.
    Through the prophetic content, it has made deified description of emperor and kings of that time in different degrees. The most mysterious figure, ZHUGE Liang, has comparatively many elements of the prophetic culture, which are shown in his adept- nessin tracking astronomical phenomena, penetration of nature and man, foreseeing the future and leaving the after-life schemes. QIAO Zhou is strikingly characterized by inevitable divination in his speech. His official businesses are determined by divination and he advocates obeying to God’s will.

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