刘亚男. 陆机《演连珠》中的音乐美学思想——陆机音乐美学思想系列研究之三[J]. 内江师范学院学报, 2011, (3): 120-122.
引用本文: 刘亚男. 陆机《演连珠》中的音乐美学思想——陆机音乐美学思想系列研究之三[J]. 内江师范学院学报, 2011, (3): 120-122.
LIU Ya-nan. On the Aesthetic Thoughts of Music in LU Ji’s Yanlian Zhu: Third of Serial Studies of Aesthetic Thoughts of LU Ji’s Music[J]. Journal of Neijiang Normal University, 2011, (3): 120-122.
Citation: LIU Ya-nan. On the Aesthetic Thoughts of Music in LU Ji’s Yanlian Zhu: Third of Serial Studies of Aesthetic Thoughts of LU Ji’s Music[J].Journal of Neijiang Normal University, 2011, (3): 120-122.

陆机《演连珠》中的音乐美学思想——陆机音乐美学思想系列研究之三

On the Aesthetic Thoughts of Music in LU Ji’s Yanlian Zhu: Third of Serial Studies of Aesthetic Thoughts of LU Ji’s Music

  • 摘要:为加强说理,陆机《演连珠》大量使用音乐设喻,其中蕴含了丰富的音乐美学思想。这些思想大致可分为四个方面:至乐乃"道",不可传承;乐在德而不在器;音乐接受的曲高和寡与音乐欣赏的适时自足;音乐创作、表演、配器等美学思想。

    Abstract:To strengthen his argument, LU Ji employs a large amount of exposition which implies rich aesthetic thoughts of music. These thoughts have four aspects: the perfect music as the conduct which cannot be inherited, music decided by one’s moral instead of by his instruments, the elegant music with less people chorusing and self-satisfaction in enjoying music, and the aesthetic thoughts concerning music creation, performance and instruments employed.

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