徐祝林. 《红楼梦》以“女娲补天”开篇的结构内蕴[J]. 内江师范学院学报, 2012, (3): 6-9.
引用本文: 徐祝林. 《红楼梦》以“女娲补天”开篇的结构内蕴[J]. 内江师范学院学报, 2012, (3): 6-9.
XU Zhulin. On the Structural Connotation of the Story Nvwa Mending the Sky[J]. Journal of Neijiang Normal University, 2012, (3): 6-9.
Citation: XU Zhulin. On the Structural Connotation of the Story Nvwa Mending the Sky[J].Journal of Neijiang Normal University, 2012, (3): 6-9.

《红楼梦》以“女娲补天”开篇的结构内蕴

On the Structural Connotation of the Story Nvwa Mending the Sky

  • 摘要:《红楼梦》从开篇的“补天之说”,经过中间“补天之谜”的谜网,最后必然走向“补天之枉”的悲剧结局。“补天之说”是人们美好企盼和理想追求,曹雪芹以天才之笔,演绎了扑朔迷离的“补天之谜”故事。但事与愿违,“补天之枉”是历史的必然,新兴资产阶级必然代替破败的封建礼教、封建道德、封建制度。

    Abstract:The novel A Dream of Red Mansions contains the stories Nvwa Mending the Sky at the very beginning, the confusion of sky-mending puzzlement in the middle and mending in vain at the end of the novel. The sky-mending story has long been people’s nice longing and good dream. With his miraculous pen, CAU Xue-qin has made a complicated and confusing story. However, on the contrary to people’s wishes, the mending in vain is inevitable and the new rising bourgeoisie would inevitably abolish the backward feudal rites, moralities and system.

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