左汉林. 论北宋后期诗歌的宗唐倾向[J]. 内江师范学院学报, 2012, (11): 48-52.
引用本文: 左汉林. 论北宋后期诗歌的宗唐倾向[J]. 内江师范学院学报, 2012, (11): 48-52.
ZUO Hanlin. On Poets’ Inclination to Adore Tang Dynasty in Late Northern Song[J]. Journal of Neijiang Normal University, 2012, (11): 48-52.
Citation: ZUO Hanlin. On Poets’ Inclination to Adore Tang Dynasty in Late Northern Song[J].Journal of Neijiang Normal University, 2012, (11): 48-52.

论北宋后期诗歌的宗唐倾向

On Poets’ Inclination to Adore Tang Dynasty in Late Northern Song

  • 摘要:在北宋后期江西诗派统治诗坛的情况下,尚存在着以秦观、张耒为代表的宗唐诗风。秦观诗明丽富有情韵,张耒诗平易舒坦,均有唐人风韵。秦观、张耒的诗歌创作在一定程度上校正了江西诗派的不良风气,对宋诗的健康发展产生了影响。受其影响,南宋前期杨万里的“诚斋体”以及南宋后期永嘉四灵的诗作都带有明显的宗唐倾向,在一定程度上代表了南宋诗歌向唐诗的复归

    Abstract:In late Northern Song Dynasty when Jiangxi school dominated the poetry circle, there were some poets like QIN Guan and ZHANG lei who adored the poetical style of Tang Dynasty. QIN’s poems were bright and full of emotions while ZHANG’s were plain and mild, which both had Tang’s styles. Their poems, to some extent, changed the incorrect style of poems of Jiangxi group and exerted influence on the healthy development of Song’s poems. Influenced by them, YANG Wan-li’s Chengzhai Style in early Southern Song and the poems of four intellects of Yongjia period in late Southern Song all took Tang’s poems as their models, which somewhat shows the returning of Song’s poems back to Tang Style.

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