董小蕙. 张大千泼墨泼彩画风之色彩空间探讨[J]. 内江师范学院学报, 2013, (5).
引用本文: 董小蕙. 张大千泼墨泼彩画风之色彩空间探讨[J]. 内江师范学院学报, 2013, (5).
DONG Xiao hui. A Probe into the Color Space of ZHANG Da qian’s Style of Ink splash Painting[J]. Journal of Neijiang Normal University, 2013, (5).
Citation: DONG Xiao hui. A Probe into the Color Space of ZHANG Da qian’s Style of Ink splash Painting[J].Journal of Neijiang Normal University, 2013, (5).

张大千泼墨泼彩画风之色彩空间探讨

A Probe into the Color Space of ZHANG Da qian’s Style of Ink splash Painting

  • 摘要:张大千晚年的泼墨泼彩画风使用了丰富的东方性色彩颜料,将其泼洒渲染于墨色打底的山水之上,层次丰厚而又清丽妍雅,不但表达出山水自然之远近晴雨的物理空间,也表现了色彩质感本身的层次空间。其后的追随仿效者,则往往很难达到其水墨与色彩相融的璀璨炫丽境地,由是可知张大千的泼墨泼彩绝非随兴而无章法节制的率性之作,而有其特殊的设色程序与方法。

    Abstract:In his late years, ZHANG Da qian employed the rich oriental colors in his ink-splash paintings. He splashed such colors in the landscapes with ink as background. This made his paintings rich in layers and beautiful and elegant. It not only showed the physical space between far and near natural scenes and distinction between rainy and sunny days, but showed the hierarchical space among colors themselves. And his followers have found it hard to get the miraculous fusion between ink and colors. From this, we know that ZHANG’s ink splash paintings were not the works done without any rules and at his will, but have their unique color designing ways.

/

    返回文章
    返回
      Baidu
      map