蔡 耀 庆. 远溯汉唐——张大千书法脉络[J]. 内江师范学院学报, 2013, (11): 38-43.
引用本文: 蔡 耀 庆. 远溯汉唐——张大千书法脉络[J]. 内江师范学院学报, 2013, (11): 38-43.
CAI Yao-qing. Back to Han and Tang Dynasties: A Study of Vein of ZHANG Da-qian's Paintings[J]. Journal of Neijiang Normal University, 2013, (11): 38-43.
Citation: CAI Yao-qing. Back to Han and Tang Dynasties: A Study of Vein of ZHANG Da-qian's Paintings[J].Journal of Neijiang Normal University, 2013, (11): 38-43.

远溯汉唐——张大千书法脉络

Back to Han and Tang Dynasties: A Study of Vein of ZHANG Da-qian's Paintings

  • 摘要:张大千虽以画家之名享誉海内外,实际上,书法表现亦有可观。张大千的书法,按其作品面貌,大致可以分为早、中、成熟期三个阶段。张大千透过多层次的临写与摹写,重新建构出他自身的书法史观,在明清诸家流利面貌之后,逐步上追高古气息。张大千的书法学习是一种逐渐完备的历史溯源,从形象外貌的具体掌握,逐渐朝向幽深的内在精神; 在精巧灵动的笔法背后,是他心中追摩古法的积极用心。

    Abstract:ZHANG Da-qian has been famous for his paintings, and his calligraphy also has its great reputation. According to its styles, his calligraphic works had undergone three phases: early, middle and mature. Through multi-level coping, he proposed his historical views toward calligraphy. Thus after the smoothly style of various calligraphers of Ming and Qing Dynasties, he gradually stepped on his road to the pursuit of antique flavor. His calligraphy followed a way of gradual perfection, from the mastery of appearance to the profound internal spirit. Behind the elegant strokes was his positive attitude to pursue and copy antique flavor.

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