论曹植后期诗的抒情方式
On Ways of CAO Zhi's Emotion Expression in His Late Poems
-
摘要:曹植的人生在前后期发生了巨大的改变。前期的曹植是一个志得意满,风流自赏的翩翩公子,后期的他则在无尽的苦闷中挣扎。文艺是苦闷的象征,苦闷的生命体验必然要在曹植的后期诗中反映出来。但由于各种原因,曹植的后期诗较少直接抒发苦闷,而更多采取了兴以抒情,比以抒情,托寓抒情,反衬抒情等多种方式委婉曲折地抒发苦闷之情。正是这些委婉曲折的抒情方式使得曹植后期诗内蕴丰富,怨而不怒,含蓄蕴藉,意味深长,不但提高了中国古典诗歌抒情的艺术水平,也丰富了中国古典诗歌抒情的艺术经验。Abstract:Compared with his early years, CAO Zhi's life had changed a lot in his late period. In his early time, he was a self-satisfied and talented man. But later, he struggled in endless depression. And literature is a symbol of depression. Such depressed life would inevitably be reflected in his poems. Out of various reasons, his poems in his late years seldom expressed such depression directly. And comparatively, they took the forms of lyrics, comparison, incarnation and contrast to express his low mood indirectly. It is these indirect ways that made his late poems take the features of feud without annoyance, implicitness, and deep connotation. These are of great help to improve the artistic levels of emotion expression of ancient Chinese classic poems and enrich the artistic experience of such expression.