朱 露 露. 论魏晋书法与艺术的自觉[J]. 内江师范学院学报, 2013, (11): 154-158.
引用本文: 朱 露 露. 论魏晋书法与艺术的自觉[J]. 内江师范学院学报, 2013, (11): 154-158.
ZHU Lu-lu. On Consciousness of Calligraphy and Arts in Wei and Jin Periods[J]. Journal of Neijiang Normal University, 2013, (11): 154-158.
Citation: ZHU Lu-lu. On Consciousness of Calligraphy and Arts in Wei and Jin Periods[J].Journal of Neijiang Normal University, 2013, (11): 154-158.

论魏晋书法与艺术的自觉

On Consciousness of Calligraphy and Arts in Wei and Jin Periods

  • 摘要:魏晋时期的书法在中国书法史上有着举足轻重的地位。魏晋书法以其特有的线条韵律和布局之中的圆润和谐形成了中国书法史上的第一个创作高峰,也奠定了书法“尚韵”的传统。在多样化的思想文化交融的背景下,魏晋时期的众多书家也分别有自己鲜明的艺术创作主张,书法的审美性突出,书法逐渐走向自觉期,成为独立的艺术门类。

    Abstract:The calligraphy in Wei and Jin periods has played an important role in calligraphic history of China. The calligraphic works in these periods were unique in their smooth and harmonious design. Consequently, the two periods witnessed the first tide of Chinese calligraphy. At the same time the tradition of rhyme orientation was established. Under the background of amalgamation of various thoughts and cultures, the calligraphers expressed their striking views concerning the artistic creation. And the aesthetics of calligraphy was highlighted. Since then such art has stepped onto self consciousness and become an independent subject.

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